Monday, April 13, 2020

How to Find a Sample Muet Essay Question?

How to Find a Sample Muet Essay Question?While writing your Muet Essay, you might want to look for sample Muet Essay question. These can help you get a good idea of what is required to be put in it. You can even choose the exact topic to put in your sample answer in order to work on your writing skills.In general, it helps if you can think of some interesting and useful ideas about the whole essay. The topics of the whole essay must be related to the needs of the college and the applicant. Also, the essay should reflect the identity of the applicant as well as the student. In this way, it becomes easier for you to work on your essay.If you are working on the essay now, you must know that the essay has many parts. The first part of the essay is known as the introduction. It also includes the introduction of your name, the name of the college or university where you intend to enter, and the information about your scholarship. This part also is called the preamble. These three parts of the essay form the whole essay.The next part of the essay is the first paragraph. In this part, you have to tell about the events or achievements that have impacted your life since childhood.The next part is the body of the essay. In this part, you have to discuss the different topics that you have thought of in the past. This part also includes the thesis statement, the conclusion and the bibliography. However, you must not forget to mention a few details about yourself and the things that you feel are your strengths.The last part of the essay is the conclusion. Here, you must give a conclusion and an idea of how you have managed to achieve your goals. This part also contains a list of the things that you have learned from the lessons from the essay.In this way, you should start from the first part to find out the main points about yourself and your experiences. After that, you can work on the essay. In this way, it is more likely that you will finish the essay in a shorter time.Re member that writing an essay is an art form. It is important to be patient and persistent in order to get your essay through the college entrance examination.

Saturday, April 11, 2020

Aristotles Poetics

Aristotles Poetics In the ancient classical periods, the Greek's Empire was known as most powerful and as a center of knowledge centralizing in Athens. Three main philosophers dominated that age: Socrates, Plato, and Aristotle. Having the Poetics as a main topic for this research, I feel obliged, therefore, to give an introductory biography about its author; Aristotle.Aristotle was born in a northern country in Greece called Stagira, ruled by the Macedonians at that time. His father, Nicomachus, was a friend of the Macedonian king Amyntus II and his personal physician. Some scholars suspect that his father's occupation later influenced his theories and studies. At the age of 18 or 17, after his father's death, he was sent to Athens to study at Plato's Academy, spending almost 20 years there first as a student, a very bright and distinguished student, then later as a teacher. After Plato's the academy was left under the leadership of Plato's nephew, while Aristotle traveled to Assos in Asia Minor where he married the king's niece Pythias.Alexander Muir Public School, Toronto, 1902 [OHQ-P...After spending three years there and two more in Mytilence, he was invited by King Phillip II back to Stagira to tutor his 13 year old son Alexander (later world conqueror, Alexander the great). When Alexander became a king, Aristotle left to Athens and founded his own school at a place called the Lyceum and taught in it for thirteen years. During those thirteen years he has composed the greater number of his philosophical treaties. Due to the death of Alexander and fall of the Macedonian rule Aristotle was charged with impiety and, therefore, fled to Chalcis, where he met with his death a year later, leaving behind a fortune of his works and treaties from sciences of nature to politics.Influenced by Plato, Aristotle's early writings...

Tuesday, March 10, 2020

Ada Lovelace - Mathematics and Computer Pioneer

Ada Lovelace - Mathematics and Computer Pioneer Ada Augusta Byron was the only legitimate child of the Romantic poet, George Gordon, Lord Byron. Her mother was Anne Isabella Milbanke who took the baby at one month old away from her fathers home. Ada Augusta Byron never saw her father again; he died when she was eight. Ada Lovelaces mother, who had studied mathematics herself, decided that her daughter would be spared the fathers eccentricities by studying more logical subjects like math and science, rather than literature or poetry. Young Ada Lovelace showed a genius for math from an early age. Her tutors included William Frend, William King and Mary Somerville. She also learned music, drawing and languages, and became fluent in French. Ada Lovelace met Charles Babbage in 1833, and became interested in a model he had constructed of a mechanical device to compute values of quadratic functions, the Difference Engine. She also studied his ideas on another machine, the Analytical Engine, which would use punched cards to read instructions and data for solving mathematical problems. Babbage also became Lovelaces mentor, and helped Ada Lovelace begin mathematical studies with Augustus de Moyan in 1840 at the University of London. Babbage himself never wrote about his own inventions, but in 1842, an Italian engineer Manabrea (later Italys prime minister) described Babbages Analytical Engine in an article published in French. Augusta Lovelace was asked to translate this article into English for a British scientific journal. She added many notes of her own to the translation, since she was familiar with Babbages work. Her additions showed how Babbages Analytical Engine would work, and gave a set of instructions for using the Engine for calculating Bernoulli numbers. She published the translation and notes under the initials A.A.L, concealing her identity as did many women who published before women were more accepted as intellectual equals. Augusta Ada Byron married a William King (though not the same William King who had been her tutor) in 1835. In 1838 her husband became the first Earl of Lovelace, and Ada became countess of Lovelace. They had three children. Ada Lovelace unknowingly developed an addiction to prescribed drugs including laudanum, opium and morphine, and displayed classic mood swings and withdrawal symptoms. She took up gambling and lost most of her fortune. She was suspected of an affair with a gambling comrade. In 1852, Ada Lovelace died of uterine cancer. She was buried next to her famous father. More than a hundred years after her death, in 1953, Ada Lovelaces notes on Babbages Analytical Engine were republished after having been forgotten. The engine was now recognized as a model for a computer, and Ada Lovelaces notes as a description of a computer and software. In 1980, the U.S. Department of Defense settled on the name Ada for a new standardized computer language, named in honor of Ada Lovelace. Fast Facts Known for:  creating the concept of an operating system or softwareDates:  December 10, 1815 - November 27, 1852Occupation:  mathematician, computer pioneerEducation:  University of LondonAlso known as:  Augusta Ada Byron, Countess of Lovelace; Ada King Lovelace Books About Ada Lovelace Moore, Doris Langley-Levy.  Countess of Lovelace: Byrons Legitimate Daughter. Toole, Betty A. and Ada King Lovelace.  Ada, the Enchantress of Numbers: Prophet of the Computer Age.  1998. Woolley, Benjamin.  The Bride of Science: Romance, Reason and Byrons Daughter.  2000. Wade, Mary Dodson.  Ada Byron Lovelace: the Lady and the Computer.  1994. Grades 7-9.

Sunday, February 23, 2020

Effective Spring Constant Lab Report Example | Topics and Well Written Essays - 750 words

Effective Spring Constant - Lab Report Example We calculate the percentage error to find out how similar our predictions were to our experimental results. It can be assumed that the percentage errors are very less and thus, it proves that the experiment was conducted with lot of precision and care. These errors are less if you consider the fact that an error of 5 cm in measuring the displacement would have changed the error percentage drastically i.e. 35.71% from 10.00% The relatively less percentage error can be accounted to systematic error or aberration in springs. Also, we must not forget that the experimental value of k’ and k† is obtained from the values of k1 and k2 from the previous lab experiment’s results so if there was an error in the results of the experiement it would have carried over into this lab. Our predicted results would have changed slightly due to the error and our experimental data would be off by even more. Another source of error could have been in measuring the relative displacement of the spring after the masses have been hung. A change in the angle or the stick not being held vertical could have resulted in a large deviation from predicted values. Taking into account all of these possible sources of error, we can safely assume that our percentage errors were sufficiently small. Conclusion The objective of this lab experiment was to calculate the effective spring constants of two different configurations. We obtained the effective spring constants using the equations from the predictions section.... (N) Initial h (m) Final h (m) Displacement (x) 0.05 0.49 0 10 10 0.07 0.686 0 10 10 0.09 0.882 0 12 12 0.11 1.078 0 15 15 0.13 1.274 0 20 20 The slope of the graph obtained is . Table-4 k† (End-To-End) Mass (kg) Weight (N) Initial h (m) Final h (m) Displacement (x) 0.05 0.49 0 29 29 0.07 0.686 0 42 42 0.09 0.882 0 54 54 0.11 1.078 0 67 67 0.13 1.274 0 80 80 The slope of the graph obtained is . We calculate the percentage error to find out how similar our predictions were to our experimental results. It can be assumed that the percentage errors are very less and thus, it proves that the experiment was conducted with lot of precision and care. These errors are less if you consider the fact that an error of 5 cm in measuring the displacement would have changed the error percentage drastically i.e. 35.71% from 10.00% The relatively less percentage error can be accounted to systematic error or aberration in springs. Also, we must not forget that the experimental value of kâ€⠄¢ and k† is obtained from the values of k1 and k2 from the previous lab experiment’s results so if there was an error in the results of the experiement it would have carried over into this lab. Our predicted results would have changed slightly due to the error and our experimental data would be off by even more. Another source of error could have been in measuring the relative displacement of the spring after the masses have been hung. A change in the angle or the stick not being held vertical could have resulted in a large deviation from predicted values. Taking into account all of these possible sources of error, we can safely assume that our percentage errors were sufficiently small. Conclusion The objective of this lab experiment was to calculate the effective spring constants of two

Thursday, February 6, 2020

LP7- Leading & Motivating people Assignment Example | Topics and Well Written Essays - 250 words

LP7- Leading & Motivating people - Assignment Example She is mostly concerned about the needs and feelings of members of her team i.e. Country club management style. She wants all her team members to be happy and secure, which she assumes will translate to them working harder. This kind of leadership styles leads to a relaxed work environment but which comes at a cost to the level of production. She has strengths that can be credited to her like having good interpersonal relationships with her subordinates due to the fact that she cares about their needs, interests and personal development. On the other hand, her flexibility and employee focus leads to 70 % of the budget going to their training and salaries hindering cost cutting measures. Evelyn had a core source of her influence; she used the reward system to bestow her influence upon her employees. She awarded higher salaries to her employees and had them engage in training often to improve their skills and marketability. She also treated people fairly and showed consideration and respect. These kinds of interaction with her workers make them want to help the manager even more and go the extra mile to help her achieve her set goals. Erik has authoritarian or compliance leadership style. His main concern is the end goals achieved, in this case improved efficiency and increased production .He has strict procedures and policies in the work place. This has its advantages as it focuses on organizational efficiency and increased production in the work place. The down side of this approach is that it lacks the internal analysis of the work culture of the employees, their needs and personal development when deciding how best to accomplish tasks. Erik uses the influence and powers that come with his senior office to push through his agenda in the office. He tries to get things done his way by using the higher authority given and uses people at higher levels to back him up. This management tactic improves

Wednesday, January 29, 2020

Language Modes Essay Example for Free

Language Modes Essay Language arts is the term typically used by educators to describe the curriculum area that includes four modes of language: listening, speaking, reading, and writing. Language arts teaching constitutes a particularly important area in teacher education, since listening, speaking, reading, and writing permeate the curriculum; they are essential to learning and to the demonstration of learning in every content area. Teachers are charged with guiding students toward proficiency in these four language modes, which can be compared and contrasted in several ways. Listening and speaking involve oral language and are often referred to as primary modes since they are acquired naturally in home and community environments before children come to school. Reading and writing, the written language modes, are acquired differently. Although children from literate environments often come to school with considerable knowledge about printed language, reading and writing are widely considered to be the schools responsibility and are formally taught. A different way of grouping the language modes is according to the processing involved in their use. Speaking and writing require constructing messages and conveying them to others through language. Thus they are expressive modes. Listening and reading, on the other hand, are more receptive modes; they involve constructing meaning from messages that come from others language. (For those who are deaf, visual and spatial language modes–watching and signing–replace oral language modes. When one considers how children learn and use language, however, all of these divisions become somewhat artificial. Whatever we label them, all modes involve communication and construction of meaning. In effective language arts teaching, several modes are usually used in each activity or set of related activities. For example, students in literature groups may read literature, discuss it, and write about it in response journals. In 1976 Walter Loban published a study of the language growth of 338 students who were observed from kindergarten through grade twelve. He found positive correlations among the four language modes both in terms of how students developed competency in each, and of how well students ultimately used them. His study demonstrated the inter-relationships among the four language modes and influenced educators to address and more fully integrate all four of them in classrooms. Models of Language Arts Instruction Many changes in language arts instruction have taken place in American schools since 1980. To understand these changes, one must be conversant with the three basic models that have given rise to variations in language arts curriculum over the years: the heritage model, the competencies model, and the process or student-centered model. Each model constitutes a belief system about the structure and content of instruction that leads to certain instructional approaches and methods. The heritage model, for example, reflects the belief that the purpose of language arts instruction is to transmit the values and traditions of the culture through the study of an agreed-upon body of literature. It also focuses on agreed-upon modes and genres of writing, to be mastered through guided writing experiences. The competencies model, on the other hand, emanates from the belief that the chief purpose of language arts instruction is to produce mastery of a hierarchy of language-related skills (particularly in reading and writing) in the learner. This model advocates the teaching of these skills in a predetermined sequence, generally through use of basal readers and graded language arts textbooks in which the instructional activities reflect this orientation. The majority of adults in this country probably experienced elementary level language arts instruction that was based in the competencies model, followed by high school English instruction that primarily reflected the heritage model. Instruction in both of these models depends heavily on the use of sequenced curricula, texts, and tests. The third model of language arts instruction, the process model, is quite different from the other two models. The curriculum is not determined by texts and tests; rather, this model stresses the encouragement of language processes that lead to growth in the language competencies (both written and oral) of students, as well as exposure to broad content. The interests and needs of the students, along with the knowledge and interests of the teacher, determine the specific curriculum. Thus reading materials, writing genres and topics, and discussion activities will vary from classroom to classroom and even from student to student within a classroom. Authentic assessment is the rule in these classrooms, that is, assessment that grows from the real language work of the students rather than from formal tests. Clearly the process model leads to more flexible and varied curriculum and instruction than the other two models. While the heritage and competencies models have come under criticism for being too rigid and unresponsive to student differences, the process model has been criticized as too unstructured and inconsistent to dependably give all students sufficient grounding in language content and skills. In actuality, teachers of language arts generally strive to help their students develop proficiency in language use, develop understanding of their own and other cultures, and experience and practice the processes of reading and writing. Thus it seems that the three models are not mutually exclusive. They do, however, reflect different priorities and emphases, and most teachers, schools, and/or school systems align beliefs and practices primarily with one or another model. Focus on Outcomes From a historical perspective, marked shifts in language arts instruction have taken place. In the early twentieth century, textbooks and assigned readings, writing assignments, and tests came to dominate the language arts curriculum. Instruction was characterized by a great deal of analysis of language and texts, on the theory that practice in analyzing language and drill in correct forms would lead students to improved use of language and proficiency in reading, writing, and discourse. Instruction was entirely teacher-driven; literature and writing topics were selected by the teacher; spelling, grammar, and penmanship were taught as distinct subjects; and writing was vigorously corrected but seldom really taught in the sense that composition is often taught today. In the 1980s a shift toward the process model emerged in the works of many language arts theorists and the published practices of some influential teachers including Donald Graves, Lucy M. Calkins, and Nancie Atwell. In 1987 the National Council of Teachers of English and the Modern Language Association sponsored a Coalition of English Associations Conference. Educational leaders from all levels came together at the conference to discuss past and present language arts teaching and to propose directions and goals to guide the teaching of language arts in the years leading up to and moving into the twenty-first century. The conference report specified the ideal outcomes of effective language arts instruction, in terms of the language knowledge, abilities, and attitudes of students. These outcomes were largely process oriented, as illustrated by the following examples of outcomes for students leaving the elementary grades, as reported by William Teale in Stories to Grow On (1989): * They will be readers and writers, individuals who find pleasure and satisfaction in reading and writing, and who make those activities an important part of their everyday lives. * They will use language to understand themselves and others and make sense of their world. As a means of reflecting on their lives, they will engage in such activities as telling and hearing stories, reading novels and poetry, and keeping journals. Principles to guide curriculum development evolved from the conference participants agreed upon student outcomes, and, like the outcomes, the principles were broad and process-focused. For example, two of the original principles are: Curriculum should evolve from a sound research knowledge base and The language arts curriculum should be learner-centered. Elaborations on these and other curriculum goals deviated from earlier recommendations in that they included classroom-based ethnographic research, or action research, as well as traditional basic research in the knowledge base that informs the teaching of language arts. There was also agreement that textbooks serve best as resources for activities, but that the most effective language arts curricula are not text driven; rather they are created by individual teachers for varying communities of students.

Monday, January 20, 2020

journeyhod A Journey into the Heart of Darkness :: Heart Darkness essays

A Journey into the Heart of Darkness   The white man is evil, or so says Joseph Conrad in his novel Heart of Darkness, which describes the colonial transformation of the symbolically angelic African wilderness into an evil haven for the white man.   The novel presents a psychological journey into the core of evil or "heart of darkness" in one's own mind, as he or she progresses through the jungle. The reader follows Marlow, the novel's narrator, along such a journey.   His psychological changes as he approaches the heart of darkness are evident, as the reader observes, in his views of the African natives, lying and Kurtz.     Marlow is an honest man.   He sets out on a genuine search for answers to his questions of exploration of the unknown "when (he) was a little chap" (Conrad 64).   Marlow was drawn to a certain place on the world map, called the Congo "the biggest, the most blank, so to speak---that (he) had a hankering after" (Conrad 64). Upon first entering the mouth of the Congo River, Marlow declares his stance on lies and those who lie.   [He believes that lying in the worst thing for a person.] He vows never to lie in his life.   After reading Kurtz's report about his progress down the Congo, Marlow finds that Kurtz lied, and in part loses all the respect he ever had for Kurtz.   However, Marlow still continues to pursue him.   Marlow continues his journey up the Congo River, penetrating further and further into the heart of darkness.   In the process, Marlow reverts back to his innate state to survive, whether or not that means going against his principles.   Finally, 200 mi les later, Marlow meets Kurtz, who is the object of his psychological desire, only to find him very ill.   After Kurtz's death, Marlow finds himself transformed into a person he thought he would never become, a liar.   Marlow lies to Kurtz's intended about Kurtz's last words when he returns to Europe. After being consumed by the heart of darkness, Marlow throws away his previous values as he reverts into a savaged, almost evil state of mind.     Though honest, Marlow is a prejudiced man; he is the epitome of colonialism.   Going into the Congo, Marlow views the natives as prehistoric evils in desperate need of white influence and civilization. Throughout the physical journey, Marlow is confronted with the natives time and time again, seeing them chained as slaves, living in a village and attacking his own steam boat.